Much love Dorian! #DStrong
Much love Dorian! #DStrong
Hey Cleveland, we’ll see you this June at LaureLive! Presale begins today, and all tickets on sale next Friday 1/22. It’s gonna be a good time! www.laurelive.com
This weekend we get to perform in our home state of Maryland at the Baltimore Ravens vs Seattle Seahawks game…Yes! Go Ravens!http://rvns.co/4ox
1. Two Hands Up
2. We’ll Pick Up Where We Left Off
4. The Element
5. Favorite Song
6. So Good So Far
7. The Architect
8. Place To Hide
9. Caroline the Wrecking Ball
10. I Will Find You
Check out our Facebook or Instagram for a special backstage video of our rehearsal of 'Nothing Compares 2 U'
Our apologies but last night we couldn't post any @Snapchat snaps due to a lack of cell service. We did try. You missed faceswaps -Aghhhh!!!
Keep an eye on our @snapchat - @ OARofficial - for some backstage peeks tonight! pic.twitter.com/dd1g3MJwAX
Hey now. We in Florida. Gonna rock @SunFestFL tonight!
Classic American author Thomas Wolfe famously stated “you can’t go home again,” but don’t tell that to the members of O.A.R. On their eighth studio album, THE ROCKVILLE LP, the shape-shifting rock band found that returning home triggered a journey of creative renewal and inspiration.
“This isn’t about us going back to our musical roots per se,” says lead singer Marc Roberge, who founded O.A.R. in 1996 with his Rockville, Md. high school classmates, drummer Chris Culos, guitarist Richard On, and bassist Benj Gershman (saxophonist Jerry DePizzo joined while the group was at Ohio State University). “It’s about us getting inspired by the place we came from. We’d drive the same roads, visit the old haunts, spend time with our people. Rockville was the catalyst then, and it’s the catalyst now.”
For the first time in a while, the band found that visiting their Maryland hometown gave them a sense of peace. For years, they had been pushing themselves to reach new levels of success, searching for their place in the world. Plus, turbulent times within their personal lives had led them to a slightly disconnected state. “I went home to Maryland many times while making this album and based these songs on all the familiar feelings that Rockville gave me,” Roberge says. “I tried to focus in on the simple things that always made this band so creative and driven. For everyone in the band, this was a restart. We’ve been hanging out, enjoying life, letting things go…The whole album is about a reboot.”
That sense of renewal is evident on the first single, the deep, yearning “Peace.” “As we were writing it, I felt the weight of three years lift off my shoulders,” Roberge says. “We wrote it about getting back to that even playing field after you go through turbulent times. It's about what I see people going through all around me, everyone deserves second, third, fourth chances.”
Roberge wrote “Peace”with Blair Daly and Nashville-based producer Nathan Chapman, best known for his work with Taylor Swift, after Roberge introduced himself to Chapman at an event in Los Angeles. The two got along so well that, in addition to “Peace,” their writing sessions yielded three other songs: “Favorite Song,” “Two Hands Up” and “We’ll Pick Up Where We Left Off.” Chapman produced “Favorite Song” and “Two Hands Up,” while Gregg Wattenberg, who co-wrote O.A.R.’s No. 1 smash, “Shattered (Turn the Car Around),” produced “Peace.” Chapman and Wattenberg shared production duties on “We’ll Pick Up Where We Left Off.” With those four tracks serving as the foundation for the album and as a boost to the band’s confidence, Roberge produced the rest of the tracks on THE ROCKVILLE LP including a co-production with Jerry DePizzo on “The Element.” “We felt like we were on to something with an overwhelming freedom to chase down some more songs,” Roberge says.
THE ROCKVILLE LP, which was recorded in Nashville, Bethesda, Md., and Brooklyn, N.Y., features some of O.A.R.’s most diverse, intricate songs to date. Bold horn arrangements weave in and out of several of the tunes, including “Irish Rose” sequel and DePizzo showcase, the jangly, story song, “Caroline the Wrecking Ball,” as well as the ambitious “The Architect,” a song adored by longtime fans, but one O.A.R. had never committed to an album before.
Pure joy and light-heartedness infuse album opener, the spiky infectious anthem, “Two Hands Up,” and the irrepressible reggae-tinged “Favorite Song” in which Roberge cheerfully references dozens of song titles. “We were driving down roads in Nashville and Maryland feeling nostalgic harkening back to the days of endlessly flipping through the radio dial singing loudly to your favorite songs. This song is an ode to the hit, to recognize the pure joy you can get from a song and some rolled down windows.”
O.A.R. is renowned for its intense, vibrant live show —including selling out Madison Square Garden twice —and the communal feeling it shares with its fans. With each studio album, the band has endeavored to achieve that sense of immediacy. On THE ROCKVILLE LP, “it comes the closest,” Roberge says. “Every live band I know will always want nothing more than to carry their live performance onto the album. It's an elusive thing to capture, so I'll never say we nailed it,” Roberge says. “But I can guarantee we put that same live show energy and passion into each minute of THE ROCKVILLE LP and we can only hope the audience feels that."
General Inquiries & Booking: Red Light Management - email@example.com
Audience taping is permitted at most O.A.R. shows. We feel that taping shows is a great way to increase fan interaction and allows fans a way to have a permanent memory of a live show. If O.A.R. is playing in an event which features multiple bands, the taping policy of the headlining band will dictate the taping policy for that evening. Additionally, at select shows, taping may be restricted. While we will do our best to notify fans in advance of this, unfortunately we cannot guarantee doing so.
All taping of live O.A.R. shows is restricted to audio only; no videotaping will be allowed. Audio recording is limited to portable equipment which includes microphones and a recorder. Power or other auxiliary equipment is generally not supplied so be prepared to bring your own equipment. If you wish to tape, we encourage you to arrive early to set up.
All taping must be for personal and non-commercial use only. No profit is ever to be made from the band’s live shows. You are permitted to trade shows with other fans for an equal amount of media (i.e. 2 CDs for 2 CDs). O.A.R. will actively pursue those in violation of this policy.
Trading of shows has been a large part of recreating the live experience and we want to continue offering this option to fans. Please keep clear of the crew during the show. Remember that the audience’s enjoyment of a live show is paramount and will never be sacrificed at the expense of a taper requesting fans to move, keep quiet, etc. Please respect other fans while you are taping.